Beware!
These are not major problems - simply a
number of points which prospective users of CD recording systems
need to be aware of.
Time and Track Markers
The 74 minute limit has already been mentioned (though many
people use 80 minute discs, and few players have any difficulties
with them). With 80 minutes of recording to work with, it
is important to mark tracks on the CD - one long 80 minute
track will be very difficult to navigate, and unlike cassette
players, the user cannot simply stop the player, and resume
from where they were the next time they want to listen. All
CD-recorders have a function to either automatically insert
track markers (usually done by auto-detecting periods of silence),
or to allow this to be done manually. We recommend the use
of manual marking - pressing the appropriate button just before
each hymn or chorus, before the Bible reading and the teaching,
are typical natural breaks in the recording.
Copyright
Just like recording on cassette (or any other medium) you
must ensure you have permission to do so before recording
and duplicating any copyright material. If you are unsure
whether or not a song is copyright free, you must presume
it is not. It is not unusual to hear people say "we're
not making a profit, so we don't need to pay" - this
is a myth! Whether you make a profit or not (or even if you
give away your recordings), if the material is covered by
copyright (and most modern music certainly will be), then
you've got to pay! The process of paying to use music for
churches has fortunately been made much easier by the Church
Copyright License service - find out more at their web site
www.ccli.co.uk
Connecting Up
The connections to most CD recorders are very similar to cassette
decks - in many instances identical. Most use "phono"
connectors, and more professional equipment using XLR connectors
may well have phonos too. It is worth checking when ordering
your new equipment, that you have the correct cables to go
with it!
Lamination.
Most low-cost (and many high cost) CD printers use inkjet
print mechanisms. They produce very high quality results at
relatively low cost, provided the proper "printable"
discs are used. The only problem is that unlike commercial
printed discs, inkjet ink can be easily smeared by wet or
oily fingers. There are two options to resolve this problem
- either use protective spray (cheap, quick, and messy!),
or use a laminator. Most churches consider this added extra
an unnecessary cost, however if the aim is to produce a robust
high quality product, it is worth further consideration.
CD-RW's.
Some churches have been tempted by the option of using CD-RW's,
re-using them each week as they do presently with cassettes.
We would strongly recommend avoiding this route! Single-use
discs are very cheap. The savings in using RW's is just not
worth the hassle! Discs need to be wiped, dirty or scratched
discs will fail in the copier, and of course the details printed
on the disc cannot be wiped, so they cannot be printed to
give details of any particular recording. Within a very short
period of time, they will become scruffy, and eventually unusable.
If the budget is really tight, then forget printing and just
write on the discs - it will be no less professional
Single speed discs.
They are difficult to buy, but you will need them if you are
using a CD-writer. Most cheap blank CD's are designed to be
written in computer CD drives, at high speed. Running them
at low speed in a CD-writer may lead to unusable recordings,
and some manufacturers warn that they can even damage the
laser in the CD-writer. Although a little more expensive,
you should buy discs intended for single-speed use (sometimes
referred to as 'x1' speed) for your mastering. CD copiers
do not suffer from this problem, so you can use the lower
cost high speed discs to match your copier drives.
> Setting
Levels
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